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The Fall Lyrics
Published by The Lough Press
1985 (Softcover)
Price £17.95
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The Fall Lyric & Text, Von Mark E. Smith. In Deutsch & Englisch. With Drawings by Brix. Translated out of the Original Tongues and with the former Translations Diligently Compared and Revised by Wulf Teichmann." Early Fall lyrics w/ facing German translations, reproductions of original typescripts & handwritten drafts, b&w photos & drawings from the period 1977-1983.
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V11 The Fall - Mark E. Smith
Published by The Lough Press
2011 (Softcover)
Price £42
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An intrepid visual and annotated journey through the incomparable mind of Mark E Smith. His rantings, snippets, cheap collages and poems are all collated for the first time here. This is a hilarious recount of Smith's daily activity (and sometimes inactivity) and is a rare montage of his stream of consciousness. Interspersed between the lyrics of 52 Fall songs, can be found drawings, newspaper cuttings, scrolled notes, images of his local boozers and other inspirational items.
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DESTROY ALL MONSTERS MAGAZINE 1976-1979
Published by Primary Information
2011 (Softcover)
Price £22.95
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Formed in 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. Destroy All Monsters released very little recorded music until Thurston Moore issued a three-CD compilation in 1994, but they published six issues of a now legendary and much sought-after zine, also titled Destroy All Monsters. This publication collects those six zines, released between 1976 and 1979, and also includes parts of a lost seventh issue that never saw publication. The Destroy All Monsters zines comprise a vibrant array of collage, writing, photography and other miscellanea by the band.
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Arcana V: Musicians on Music, Magic and Mysticism
Published by Hips Road/Tazadik
2010
Price £29.95
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For centuries musicians have tapped into mysticism, magic and alchemy, embracing ritual, spell, incantation and prayer, and experimenting with esoteric approaches to harmony, pitch and vibration. In recent decades, avant-garde musicians have rediscovered these overlaps, as occultism has reinvented itself--through Buddhist and other Asian influences, Thelema and Chaos Magic--to accommodate cultural strains from psychedelica through Punk and Industrial music.
This special edition of John Zorn's much acclaimed Arcana series focuses on the magical aspects of the act of making music. Neither historical overview nor musicological study, it illuminates the sympathies between music and the esoteric tradition with the help of today's finest experimental musicians and occultists. Among these are William Breeze, Gavin Bryars, Alvin Curran, Fred Frith, Sharon Gannon, Larkin Grimm, William Kiesel, Yusef Lateef, Frank London, Meredith Monk, Mark Nauseef, Pauline Oliveros, Genesis P-Orridge, Terry Riley, David Toop, Greg Wall, Peter Lamborn Wilson and Z'ev.
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Crass Book
2011
Price £30
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Crass embodied the anarcho-punk aesthetic of the late ‘70s: they privileged politics over musicianship, substance over form, and above all independence over profitability.
Crass played four concerts in New York in the summer of 1977, at small, unexpected venues such as The Puerto Rican Club and the Polish Club. This exhibition represents the first opportunity since that brief visit for New Yorkers to experience the unique visual and aural mayhem that is Crass’ trademark. The material featured in this exhibition spans the high period of Crass’ endeavors, from 1978 to 1984, and constitutes a special segment of The Mott Collection.
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Special Sound
Published by Roma Publications
2010 (Hardback)
Price £17.95
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Special Sound traces the fascinating creation and legacy of the BBC's electronic music studio, the Radiophonic Workshop, in the context of other studios in Europe and America. The BBC built a studio to provide its own avant-garde dramatic productions with experimental sounds "neither music nor sound effect." Quickly, however, a popular kind of electronic music emerged in the form of quirky jingles, signature tunes such as Doctor Who, and incidental music for hundreds of programs. These influential sounds and styles, heard by millions of listeners over decades of operation on television and radio, have served as a primary inspiration for the use of electronic instruments in popular music.
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